{"id":2907,"date":"2024-05-14T17:22:38","date_gmt":"2024-05-14T08:22:38","guid":{"rendered":"https:\/\/watowagallery.com\/?p=2907"},"modified":"2024-05-17T15:34:31","modified_gmt":"2024-05-17T06:34:31","slug":"%e3%82%ae%e3%83%a3%e3%83%a9%e3%83%aa%e3%83%bc%e3%81%ae%e4%b8%ad%e3%81%a7%e6%b4%bb%e5%8b%95%e3%81%ab%e5%8f%82%e5%8a%a0%e3%81%a7%e3%81%8d%e3%82%8b%e3%82%a4%e3%83%b3%e3%82%b9%e3%82%bf","status":"publish","type":"post","link":"https:\/\/watowagallery.com\/en\/%e3%82%ae%e3%83%a3%e3%83%a9%e3%83%aa%e3%83%bc%e3%81%ae%e4%b8%ad%e3%81%a7%e6%b4%bb%e5%8b%95%e3%81%ab%e5%8f%82%e5%8a%a0%e3%81%a7%e3%81%8d%e3%82%8b%e3%82%a4%e3%83%b3%e3%82%b9%e3%82%bf\/","title":{"rendered":"\u30ae\u30e3\u30e9\u30ea\u30fc\u306e\u4e2d\u3067\u201d\u6d3b\u52d5\u201d\u306b\u53c2\u52a0\u3067\u304d\u308b\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u306b\u3088\u308b2\u4eba\u5c55\u300cOn Double-dealings, Demos, and Discontent\u300d5\/18(\u571f)\u3088\u308a\u958b\u50ac"},"content":{"rendered":"

2024\u5e745\u670818\u65e5(\u571f) \uff5e 7\u670815\u65e5(\u6708) <\/strong><\/h4>\n\n\n\n

DESCRIPTION<\/h3>\n\n\n\n

\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u30fb\u30d7\u30ed\u30c0\u30af\u30b7\u30e7\u30f3\u30fb\u30b3\u30ec\u30af\u30c6\u30a3\u30d6WATOWA GALLERY\u306f\u3001\u65e5\u672c\u304b\u3089\u306f\u85e4\u5d8b\u54b2\u5b50\u3001\u30d6\u30e9\u30b8\u30eb\u304b\u3089\u306fPEDRO INOUE\u3092\u8fce\u3048\u3001\u6d45\u8349WATOWA GALLERY \/ THE BOX TOKYO \u306b\u30662\u4eba\u5c55\u3092\u958b\u50ac\u3044\u305f\u3057\u307e\u3059\u3002<\/strong><\/p>\n\n\n\n

\u3010\u4f1a\u671f\u3011\uff1a2024\u5e745\u670818\u65e5(\u571f) \uff5e 7\u670815\u65e5(\u6708) \u203b\u5e73\u65e5\u306f\u4e8b\u524d\u4e88\u7d04\u5236 \/ \u571f\u65e5 12:00~19:00 \u203b\u6700\u7d42\u5165\u583418:30
\u3010\u4f1a\u5834\u3011\uff1aWATOWA GALLERY \/ THE BOX TOKYO \uff08\u3012111-0024 \u6771\u4eac\u90fd\u53f0\u6771\u533a\u4eca\u6238\uff11\u4e01\u76ee2-10 3F\uff09
\u3010\u5165\u5834\u6599\u3011\uff1a\u7121\u6599
\u3010\u53c2\u52a0\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3011\uff1a\u85e4\u5d8b\u54b2\u5b50 \/ PEDRO INOUE
\u3010\u4e88\u7d04\u30da\u30fc\u30b8\u3011https:\/\/artsticker.app\/events\/31583<\/a><\/p>\n\n\n\n

\u30aa\u30fc\u30d7\u30cb\u30f3\u30b0\u30d1\u30fc\u30c6\u30a3\u30fc
\u3010\u65e5\u6642\u3011\uff1a5\u670818\u65e5(\u571f) 17:00\u301c20:00 \u203b\u5f53\u65e5\u306f12:00\u304b\u3089\u5c55\u793a\u958b\u59cb<\/p>\n\n\n\n

<\/p>\n\n\n\n

Artist’s profile<\/h2>\n\n\n\n

\u85e4\u5d8b\u54b2\u5b50 \/ Sacco Fujishima<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\"\"<\/figure>
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Japanese title: \u00a0\u9854\u306e\u7121\u3044\u9854\u30b7\u30ea\u30fc\u30ba\u3000\u300c\u30ec\u30a4\u30ca\u300d
English title: \u00a0 The Faceless Face Series: “Reina”
(Acrylic and Epoxy resin on board, \u00a0Mar.30th 2022, 410 \u00d7 318mm)<\/p>\n<\/div><\/div>\n\n\n\n

\u30a2\u30ca\u30ed\u30b0\u3068\u30c7\u30b8\u30bf\u30eb\u30012D\u30683D\u3001\u73fe\u5b9f\u3068\u4eee\u60f3\u73fe\u5b9f\u306e\u5883\u754c\u3092\u8d85\u3048\u308b\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3002\u72ec\u81ea\u306e\u30ab\u30e9\u30d5\u30eb\u306a”\u52dd\u624b\u306a\u79e9\u5e8f”\u3067\u5bc6\u306a\u30d1\u30bf\u30fc\u30f3\u3092\u8868\u73fe\u3057\u3001\u30b3\u30ed\u30ca\u798d\u4ee5\u964d\u3001\u5f7c\u5973\u306f\u30e1\u30bf\u30d0\u30fc\u30b9\u3084SNS\u4e0a\u3067\u306e\u30a2\u30fc\u30c8\u6d3b\u52d5\u3092\u6d3b\u767a\u5316\u3055\u305b\u3001\u89b3\u5ba2\u3068\u306e\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3\u3092\u5927\u5207\u306b\u3057\u3066\u3044\u308b\u3002\u5f7c\u5973\u306b\u3068\u3063\u3066\u3001\u30c7\u30b8\u30bf\u30eb\u3068\u30ea\u30a2\u30eb\u306e\u4e16\u754c\u3067\u751f\u307e\u308c\u308b\u73fe\u8c61\u306f\u3001\u65b0\u305f\u306a\u53ef\u80fd\u6027\u3078\u306e\u6249\u3067\u3042\u308a\u3001\u30b2\u30fc\u30e0\u3001\u30a2\u30fc\u30c8\u3001\u793e\u4f1a\u554f\u984c\u306e\u878d\u5408\u306b\u3088\u3063\u3066\u672a\u77e5\u306e\u8868\u73fe\u9818\u57df\u304c\u5207\u308a\u62d3\u304b\u308c\u308b\u3053\u3068\u3092\u4fe1\u3058\u3066\u3044\u308b\u3002
IG : @sacco_fujishima<\/p>\n\n\n\n

SACCO FUJISHIMA<\/p>\n\n\n\n

Fujishima is a Japanese artist who explores the boundaries between analog and digital, two-dimensional and three-dimensional representations, and the relationship between reality and the virtual. In her paintings, she often uses a unique and colorful \u201carbitrary order\u201d she developed to create dense patterns bordering between the figurative and the abstract. Since the outbreak of the COVID-19 pandemic, she has intensified her artistic activities using digital tools such as the metaverse and social media, allowing for direct communication with the audience. She believes that the crossover between the real world and the digital world presents new possibilities for communication, and trusts that such yet-to-be-explored realms of expression open new opportunities by fusing games, art, and social issues.<\/p>\n\n\n\n

\"\"<\/figure>
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Japanese title: \u606f\u5dee\u3057-5\u6708
English title: Breath in Anticipation: May
( Acrylic on canvas, May.1st 2024, 803 x1000 mm)<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

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Japanese title: \u00a02020\u5e745\u670815\u65e5 \u00a0
English title: \u00a0May 15th, 2020
( Acrylic on canvas, Oct.4th 2023, 1,120×1,620 mm)<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Pedro Inoue \/ \u30da\u30c9\u30ed \u30a4\u30ce\u30a6\u30a8<\/strong><\/strong><\/strong><\/p>\n\n\n\n

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World Killer Ultra Mega Sale, 2024, Wallpaper, 620 x 1000mm<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

\u30da\u30c9\u30ed\u30fb\u30a4\u30ce\u30a6\u30a8\u306f\u30d6\u30e9\u30b8\u30eb\u751f\u307e\u308c\u3001\u72ec\u5b66\u306e\u30b0\u30e9\u30d5\u30a3\u30c3\u30af\u30c7\u30b6\u30a4\u30ca\u30fc\u517c\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3067\u3059\u3002\u30c7\u30f4\u30a3\u30c3\u30c9\u30fb\u30dc\u30a6\u30a4\u3001\u5742\u672c\u9f8d\u4e00\u3001\u30ab\u30a8\u30bf\u30fc\u30ce\u30fb\u30f4\u30a7\u30ed\u30fc\u30be\u306a\u3069\u306e\u30af\u30e9\u30a4\u30a2\u30f3\u30c8\u3068\u30b3\u30e9\u30dc\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u884c\u3063\u3066\u3044\u308b\u3002 \u5f7c\u306f\u30d5\u30e9\u30f3\u30b9\u3001\u30c1\u30a7\u30b3\u5171\u548c\u56fd\u3001\u65e5\u672c\u3001\u97d3\u56fd\u3067\u30b0\u30eb\u30fc\u30d7\u5c55\u3084\u500b\u5c55\u306b\u53c2\u52a0\u3057\u3066\u304d\u307e\u3057\u305f\u3002 2010 \u5e74\u4ee5\u6765\u3001\u5f7c\u306f\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d6 \u30c7\u30a3\u30ec\u30af\u30bf\u30fc\u3068\u3057\u3066 Adbusters \u8a8c\u306b\u52a0\u308f\u308a\u3001\u4e16\u754c\u7684\u306a\u904b\u52d5 #OCCUPY \u304d\u3063\u304b\u3051\u3068\u306a\u3063\u305f 2011 \u5e74\u306e #occupywallstreet \u30df\u30fc\u30e0\u3068\u30dd\u30b9\u30bf\u30fc\u306e\u4f5c\u6210\u306b\u53c2\u52a0\u3057\u307e\u3057\u305f\u3002 2019 \u5e74\u306b\u306f\u30e9\u30c6\u30f3 \u30b0\u30e9\u30df\u30fc\u8cde\u00ae \u306b\u30ce\u30df\u30cd\u30fc\u30c8\u3055\u308c\u307e\u3057\u305f\u3002 \u5f7c\u306e\u6700\u65b0\u306e\u4f5c\u54c1\u306f\u3001APIB (\u30d6\u30e9\u30b8\u30eb\u5148\u4f4f\u6c11\u5354\u8b70\u4f1a)\u3001\u30b0\u30ea\u30fc\u30f3\u30d4\u30fc\u30b9\u3001\u30d5\u30e9\u30a4\u30c7\u30fc\u30ba\u30fb\u30d5\u30a9\u30fc\u30fb\u30d5\u30e5\u30fc\u30c1\u30e3\u30fc\u306e\u305f\u3081\u306e\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d6\u306a\u4ed5\u4e8b\u3060\u3051\u3067\u306a\u304f\u3001\u56fd\u5185\u5916\u3067\u306e\u6975\u53f3\u306e\u53f0\u982d\u306b\u5bfe\u3059\u308b\u5e02\u6c11\u793e\u4f1a\u904b\u52d5\u3092\u652f\u63f4\u3059\u308b\u6d3b\u52d5\u5bb6\u3084\u653f\u6cbb\u7684\u306a\u4ed5\u4e8b\u306b\u3082\u53ca\u3073\u307e\u3059\u3002
IG: @pedroinoue<\/p>\n\n\n\n

PEDRO INOUE
Pedro Inoue is a Brazilian-born, self-taught graphic designer and artist. He has collaborated with clients such as David Bowie, Ryuichi Sakamoto & Caetano Veloso. He has participated in group and solo exhibitions in France, Czech Republic, Japan & South Korea. Since 2010 he joined Adbusters magazine as their creative director, participating in the creation of the 2011 #occupywallstreet meme and poster that helped spark the worldwide movement #OCCUPY. In 2019 he was nominated for a Latin Grammy\u00ae. His latest works span from creative work for APIB (Brazil\u2019s Indigenous People Articulation), Greenpeace, and Fridays for Future as well as activist and political work helping civil society movements resist the current rise of the far right in his own country and abroad.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Fake News (NYT), 2024,\u00a0Hahnem\u00fchle Inkjet print, 405 x 523mm<\/p>\n<\/div><\/div>\n\n\n\n

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Corporate Macumba, 2024,\u00a0Hahnem\u00fchle Baryta Inkjet print, 1000 x 1000mm<\/p>\n<\/div><\/div>\n\n\n\n

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Long Live Terror, 2024, Inkjet print, 1000 x 2000mm<\/p>\n<\/div><\/div>\n\n\n\n

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\u300cOn Double-dealings, Demos, and Discontent\u300d\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\uff1a\u30b7\u30e3\u30a4\u30fb\u30aa\u30cf\u30e8\u30f3<\/strong><\/h2>\n\n\n\n

\u6cd5\u304c\u4eba\u3092\u81ea\u7531\u306b\u3059\u308b\u3053\u3068\u306f\u3051\u3063\u3057\u3066\u306a\u3044\u3002\u4eba\u304c\u3001\u81ea\u7531\u306e\u6cd5\u3092\u4f5c\u3089\u306d\u3070\u306a\u3089\u306a\u304b\u3063\u305f\u306e\u3060\u300d
\u30fc\u30d8\u30f3\u30ea\u30fc\u30fb\u30c7\u30a4\u30f4\u30a3\u30c3\u30c9\u30fb\u30bd\u30ed\u30fc<\/p>\n\n\n\n

\u3053\u306e\u5341\u5e74\u9593\u3001\u30d7\u30ed\u30c6\u30b9\u30c8\u3068\u5e02\u6c11\u7684\u4e0d\u670d\u5f93\u3068\u3044\u3046\u6982\u5ff5\u306f\u3001\u30bd\u30fc\u30b7\u30e3\u30eb\u30e1\u30c7\u30a3\u30a2\u3084\u516c\u8846\u306e\u500b\u3005\u4eba\u306b\u3088\u308b\u5171\u540c\u4f53\u7684\u7d44\u7e54\u306b\u3088\u3063\u3066\u5897\u9577\u3057\u3001\u5b66\u754c\u3084\u4e3b\u6d41\u306a\u30e1\u30c7\u30a3\u30a2\u3092\u5d50\u306b\u5dfb\u304d\u8fbc\u3093\u3060\u3002\u65b0\u4f5c\u300cOn Double-dealings, Demos, and Discontent\u300d\u5c55\u3067\u306f\u3001\u30ec\u30b8\u30b9\u30bf\u30f3\u30b9\u6a5f\u69cb\u306e\u5206\u6790\u3092\u76ee\u7684\u3068\u3057\u3001\u793e\u4f1a\u5909\u5316\u306b\u5bfe\u3059\u308b\u65e5\u672c\u7684\u8996\u70b9\u3092\u6dfb\u3048\u3066\u304f\u308c\u308b\u65e5\u672c\u4eba\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u306e\u85e4\u5d8b\u54b2\u5b50\u3001\u305d\u3057\u3066\u897f\u6b27\u7684\u8996\u70b9\u3092\u4e0e\u3048\u3066\u304f\u308c\u308b\u30d6\u30e9\u30b8\u30eb\u4eba\u30c7\u30b6\u30a4\u30ca\u30fc\u3067\u6d3b\u52d5\u5bb6\u306e\u30da\u30c9\u30ed\u30fb\u30a4\u30ce\u30a6\u30a8\u306b\u3088\u308b\u4f5c\u54c1\u3092\u7d39\u4ecb\u3059\u308b\u3002
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HP : http:\/\/the-container.com\/<\/a>
IG: @the.container.tokyo<\/p>\n\n\n\n

On Double-dealings, Demos, and Discontent Curated by Shai Ohayon<\/strong><\/p>\n\n\n\n

The law will never make men free; it is men who have got to make the law free. \u2013 Henry David Thoreau<\/p>\n\n\n\n

In the last decade the notion of protest and civil disobedience has taken academia and mainstream media by storm, bolstered by social media and the communal organization of individual members of the public. This new exhibition On Double-dealings, Demos, and Discontent examines the mechanisms of resistance by showcasing the works of the Japanese artist Sacco Fujishima, who lends a Japanese perspective on social change, and the Brazilian designer and activist Pedro Inoue, who engages viewers with a western perspective.<\/p>\n\n\n\n

The exhibition enables us to deliberate on the aesthetic and apparatus of protest and to juxtapose different means to capacitate social change, using a variety of tools \u2013 from new technologies such as the metaverse and AI to traditional tactics such as posters and banners.<\/p>\n\n\n\n

Much of Sacco Fujishima\u2019s latest works defined by live demonstrations she hosts on the metaverse, often with tens of thousands of participants, fueled by hashtags, is presenting a new demonstration designed especially for this exhibition to highlight women\u2019s equality and rights in Japan. Viewers will be able to experience her digital demo through a live-feed video installation at the gallery and interact with AI avatars they can question in both Japanese and English, as well as a monitor that allows the audience to upload live comments. Other works of Fujishima include paintings that allude to the individual anonymity that is often associated with demonstrations, and a live station where the audience can contact a Japanese governmental office to petition, ironically through fax, which is, apparently, still the most common channel to express civil grievances with governmental offices in Japan.<\/p>\n\n\n\n

Pedro Inoue who is a seasoned social activist, shares in this exhibition his relentless efforts to highlight issues relating to sustainability, the protection of the environment, and anti-capitalism. He will include nearly life-sized inflatable \u201croly-poly\u201d figures bearing the image of Elon Musk, Jeff Bezos, and Mark Zuckenberg that visitors can wrestle with, cheekily-designed front pages of publications with fake news, video work, slogan-bearing posters, a shrine composed of retail products for visitors to meditate on, and an installation using graphic imagery compiled by mainstream representations and logos.<\/p>\n\n\n\n

The interactive nature of the exhibition encourages audience participation and grants an opportunity for an experiential dialogue that goes beyond the ordinary \u201cart viewing\u201d experience.<\/p>\n\n\n\n

WATOWA GALLERY<\/strong>\u304b\u3089\u306e\u6328\u62f6<\/h2>\n\n\n\n

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\u7686\u3055\u3093\u3001\u30ae\u30e3\u30e9\u30ea\u30fc\u306e\u4e2d\u3067\u3067\u304d\u308b\u201d\u30c7\u30e2\u201d\u3001ART\u304c\u3067\u304d\u308b\u53ef\u80fd\u6027\u3092\u305c\u3072\u4f53\u9a13\u3057\u306b\u6765\u3066\u3082\u3089\u3048\u305f\u3089\u5e78\u3044\u3067\u3059\u3002

WATOWA GALLERY \u4ee3\u8868 \u5c0f\u677e\u9686\u5b8f<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Message from WATOWA GALLERY<\/strong><\/p>\n\n\n\n

Now in its third year since its establishment in Asakusa, WATOWA GALLERY\/ THE BOX TOKYO aims to expand further the possibilities offered to artists and to embrace the similarities and differences between Japan and abroad. Thus, we seek to develop projects that contribute to the connection between both places.
As one of such interactions, we will be enacting a variety of experiments in this art space to act both as a gallery and as an incubator \u2014 a vision we sought to promote since the inception of the space.
This is why we are keen on organizing exchanges and collaborations with a variety of curators, and on this occasion welcome SHAI OHAYON as guest curator. Jointly, we seek to present an exhibition that emphasizes \u201cactions\u201d and \u201cmovements\u201d that are integral to present-day issues and trends.<\/p>\n\n\n\n

This two-person exhibition invites PEDRO INOUE from Brazil, from the other side of the world, teamed with Japan\u2019s SACCO FUJISHIMA to build a correspondence through installations that examine social issues and change. They both have created new works and installations in which the viewers are urged to participate and engage with their different perspectives.<\/p>\n\n\n\n

The discourse features notions about life in Japan, the disparities between the analog and the digital, information and confusion. And asks, what should we value? What does it mean to raise one\u2019s voice?<\/p>\n\n\n\n

Please visit to experience the notion of \u201cprotest\u201d inside the gallery and the possibilities that artcan bear.<\/p>\n\n\n\n

WATOWA GALLERY Owner Takahiro Komatsu<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

2024\u5e745\u670818\u65e5(\u571f) \uff5e 7\u670815\u65e5(\u6708)  DESCRIPTION \u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u30fb\u30d7\u30ed\u30c0\u30af\u30b7 …<\/p>\n

\u30ae\u30e3\u30e9\u30ea\u30fc\u306e\u4e2d\u3067\u201d\u6d3b\u52d5\u201d\u306b\u53c2\u52a0\u3067\u304d\u308b\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u306b\u3088\u308b2\u4eba\u5c55\u300cOn Double-dealings, Demos, and Discontent\u300d5\/18(\u571f)\u3088\u308a\u958b\u50ac<\/span> Read More »<\/a><\/p>","protected":false},"author":1,"featured_media":2910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"categories":[22,18,21],"tags":[],"class_list":["post-2907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-exhibition","category-past-exhibitions","category-upcoming-exhibition"],"acf":[],"_links":{"self":[{"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/posts\/2907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/comments?post=2907"}],"version-history":[{"count":3,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/posts\/2907\/revisions"}],"predecessor-version":[{"id":2922,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/posts\/2907\/revisions\/2922"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/media\/2910"}],"wp:attachment":[{"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/media?parent=2907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/categories?post=2907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/watowagallery.com\/en\/wp-json\/wp\/v2\/tags?post=2907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}